This is a a very nice addition to the exhibition of the the same name that was curated by Peter Lindbergh himself shortly before his death in September 2019 and is currently （2020） on display at the Kunstpalast Düsseldorf and the Museum für Kunst & Gewerbe Hamburg。 The folio-sized volume in half-cloth binding features mostly full-sized pictures of every photograph from the exhibition。 Unlike earlier exhibitions - and catalogues - the focus is not on Lindbergh's most famous works but on his perso This is a a very nice addition to the exhibition of the the same name that was curated by Peter Lindbergh himself shortly before his death in September 2019 and is currently （2020） on display at the Kunstpalast Düsseldorf and the Museum für Kunst & Gewerbe Hamburg。 The folio-sized volume in half-cloth binding features mostly full-sized pictures of every photograph from the exhibition。 Unlike earlier exhibitions - and catalogues - the focus is not on Lindbergh's most famous works but on his personal favourites which he choose， in his own words， depending on his gut-feelings。 The result is a very good overview over the photographer's oeuvre from the 1980s to 2018 that takes the photographs from their original context as fashion-photography and lets them shine as independent works of art。Where the catalogue falls a bit short is the text。 Possibly out of respect for the fact that Lindbergh died before he could finish the project， and his insistence of not commenting on the photographs to let them "speak for themselves"， the catalogue includes only Wim Wenders' "In Memory of Peter Lindbergh" （a text originally written for the artist's funeral） and an interview with Lindbergh from June 2019， where he talked about the coming exhibition and his progress of choosing the right pictures。 However， this interview - reproduced here in English， German， and French - is very interesting and offers some insight into his work。 。。。more