People Love Dead Jews: Reports from a Haunted Present

People Love Dead Jews: Reports from a Haunted Present

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  • Create Date:2021-08-17 19:21:05
  • Update Date:2025-09-07
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  • Author:Dara Horn
  • ISBN:B08X2Y6PP6
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Summary

Reflecting on subjects as far-flung as the international veneration of Anne Frank, the blockbuster travelling exhibition called “Auschwitz,” the Jewish history of the Chinese city of Harbin, and the little known “righteous-gentile” Varian Fry, Dara Horn challenges us to confront the reasons why there might be so much fascination with Jewish deaths, as emblematic of the worst of evils the world has to offer, and so little respect for Jewish lives, as they continue to unfold in the present。


Horn draws on her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school in New Jersey, the profound and essential perspective offered by traditional religious practice, prayer, and study—to assert the vitality, complexity, and depth of this life against an anti-Semitism that, far from being disarmed by the mantra of “Never forget,” is on the rise。

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Reviews

Rachel

I have been a fan of Dara Horn's since I read her debut novel In the Image in 2002。 All Other Nights is one of my favorite books of all time。 I heard her speak in person several years ago and she is brilliant。 So, it's no surprise that the essays in this collection are excellent。 Very thought provoking, interesting, and unique。 I received an advanced review copy through Edelweiss but I can't wait to get my hands on the hard cover so I can re-read all of them。 I'm sure the book will be getting lo I have been a fan of Dara Horn's since I read her debut novel In the Image in 2002。 All Other Nights is one of my favorite books of all time。 I heard her speak in person several years ago and she is brilliant。 So, it's no surprise that the essays in this collection are excellent。 Very thought provoking, interesting, and unique。 I received an advanced review copy through Edelweiss but I can't wait to get my hands on the hard cover so I can re-read all of them。 I'm sure the book will be getting lots of buzz when it is released on September 7。 。。。more

Julius Adams

Brilliant!This book had me in tears too many times, as it speaks of truths many are afraid to confront。 Each essay spoke of the treatment of the Jewish people through history in well known, and some not so well known, historical episodes。 What made this so poignant was the human and personal approach。 While there are moments that can make you laugh out loud (and make you want to read out loud as I did), it is merely a way of dealing with the much more serious content that spans from disturbing t Brilliant!This book had me in tears too many times, as it speaks of truths many are afraid to confront。 Each essay spoke of the treatment of the Jewish people through history in well known, and some not so well known, historical episodes。 What made this so poignant was the human and personal approach。 While there are moments that can make you laugh out loud (and make you want to read out loud as I did), it is merely a way of dealing with the much more serious content that spans from disturbing to philosophical。 The final essay is riveting and sums up the importance of not losing an important culture。 I identified, as would many even if not Jewish。 An important, moving and wonderfully written book that will glue you to your seat until finished。Thank you to NetGalley for the ARC of this book。 。。。more

Janilyn Kocher

The title of this book took me back。 The author discusses various topics in her work。 Some of the chapters I was absorbed with the topic and others I skimmed since I was lost。 It’s an interesting addition to the canon of literature available on the subject。 Thanks to WW Norton and Edelweiss for the advance copy。

Beth

Dara Horn speaks the truth。 I swear I underlined or highlighted most of this book。 For many people, what she writes about the history of antisemitism, current violence against Jews in America, memorial museums around the world, and the general arc of the vast majority of World War II novels will be eye-opening。 This is an important book that deserves great attention and discussion。

Beth SHULAM

Dara Horn has penned a scathing and rightfully righteous set of short stories on the fascination the world has with dead Jews。 Her perspective is eye opening。 That a Jew's worth is in their death, not in their survival。 How other cultures praise themselves on their efforts in acknowledging Jewish existence in their culture while their participation in Jewish annihilation is glossed over with pretty remembrance museums。 How Jews participate in false narratives to cover up anti-Semitism just to fi Dara Horn has penned a scathing and rightfully righteous set of short stories on the fascination the world has with dead Jews。 Her perspective is eye opening。 That a Jew's worth is in their death, not in their survival。 How other cultures praise themselves on their efforts in acknowledging Jewish existence in their culture while their participation in Jewish annihilation is glossed over with pretty remembrance museums。 How Jews participate in false narratives to cover up anti-Semitism just to fit into their new cultures。 Mouth dropping prose。 A must read。 Thank you to WW Norton for the ARC to read and review。 。。。more

Daniel Bergeleen

A deeply troubling, moving, painful, and inspiring examination into the eons of dead Jews that create the Jewish history the world knows。 Anne Frank and her diary are only known because we know the tragic end to her story。 But it’s hard to imagine her diary ever being published, let alone translated and distributed across the world, if she would have lived to have seen age 15 or any year after。 Many can recall the names of Nazi deathcamps where the Yiddish language was nearly wiped out, but few A deeply troubling, moving, painful, and inspiring examination into the eons of dead Jews that create the Jewish history the world knows。 Anne Frank and her diary are only known because we know the tragic end to her story。 But it’s hard to imagine her diary ever being published, let alone translated and distributed across the world, if she would have lived to have seen age 15 or any year after。 Many can recall the names of Nazi deathcamps where the Yiddish language was nearly wiped out, but few can name even a couple Yiddish poets or authors。 The world hears of tragedies befalling Jews, their communities, and their places of worship but pays little attention to their vibrant culture or their valuable accomplishments。 This is the basis of Horn’s compilation of essays—Jews are others, they aren’t Christian, they aren’t Muslim, they aren’t white but they aren’t brown, and the world only knows their story from the eons of tragic events that has befallen a global diaspora。 。。。more

RMazin

Dara Horn has written novels structured around Jewish characters and themes。 Some of her novels have soared into magic realism giving me a sense that I was looking into a keyhole of the past and a promise of a future。 Here, Horn forges new pathways in her essays, People Love Dead Jews。 These pathways are not easy reads, but they are necessary, illuminating, tragic, ironic, even a bit comic but always heartfelt and well-reasoned。 This is book that demands the reader pick it up and put it down…。an Dara Horn has written novels structured around Jewish characters and themes。 Some of her novels have soared into magic realism giving me a sense that I was looking into a keyhole of the past and a promise of a future。 Here, Horn forges new pathways in her essays, People Love Dead Jews。 These pathways are not easy reads, but they are necessary, illuminating, tragic, ironic, even a bit comic but always heartfelt and well-reasoned。 This is book that demands the reader pick it up and put it down…。and then quickly pick it up again。 You need to re-think what you know, what you will learn and challenge beliefs in almost every chapter。 Through her unique vision she gives depth to currents of anti-Semitism: how the past bleeds through to the present and how it is used to shape and mis-characterize events, venerate a past over the present, and threaten the future。 Read this book that touches upon so many avenues of thought: the Jewish community of Harbin in China, shootings and synagogue tragedies, a revisit with the Merchant of Venice, the “sanctification” of Anne Frank’s life and legacy, and the ongoing threat to Jewish culture。 Thanks to Netgalley and the publisher for sharing this important book。 。。。more

Dara

Dara Horn is a writer I have been familiar with for many years, as I always remembered her name (as it is the same as mine) after I attended her bat mitzvah, which she shared with another girl whose bat mitzvah I was invited to。 I have read many of her fiction books and was intrigued by this one, which addresses the reasons why there might be so much fascination with Jewish deaths and so little respect for Jewish lives in the present。 Topics range from Anne Frank – would she be as well known if Dara Horn is a writer I have been familiar with for many years, as I always remembered her name (as it is the same as mine) after I attended her bat mitzvah, which she shared with another girl whose bat mitzvah I was invited to。 I have read many of her fiction books and was intrigued by this one, which addresses the reasons why there might be so much fascination with Jewish deaths and so little respect for Jewish lives in the present。 Topics range from Anne Frank – would she be as well known if she had survived? – to the Jewish history of the Chinese city Harbin, to the eleven people murdered at a Pittsburgh synagogue, to modern antisemitism。 I don’t want to say I loved this book, but I did。 It was so informative, understandable, and important。 I was nodding along with it all。 I only found one of the essays not to be wholly riveting, while they were all well written and worth the reads。 。。。more

Jeff Swartz

If I said this book was disconcerting, I would not be wrong。If I said this book was hopeful and inspiring, I would not be wrong。So well written and so interesting。 I will be sending unsolicited copies to friends and relatives。

A。

People Love Dead Jews is a collection of essays on the disturbing and occasionally surreal ways the world gives attention to dead Jews and how this attention shapes the treatment of living Jews today。 Author Dara Horn shares how individuals and institutions represent Jewish suffering and how this suffering is repurposed for the benefit of others。 These nuanced accounts cover a number of time periods and places, with a few key themes running through the chapters。The first is trying to preserve th People Love Dead Jews is a collection of essays on the disturbing and occasionally surreal ways the world gives attention to dead Jews and how this attention shapes the treatment of living Jews today。 Author Dara Horn shares how individuals and institutions represent Jewish suffering and how this suffering is repurposed for the benefit of others。 These nuanced accounts cover a number of time periods and places, with a few key themes running through the chapters。The first is trying to preserve the past through writing, record keeping and cultural preservation。 This seems natural when discussing a people which has faced cultural destruction, banishment and genocide for generations upon generations。 The second is that many are more familiar with and prefer their Jewish stories to be about ‘dead Jews’ rather than to learn about or help preserve living Jewish culture。 I knew I would enjoy this book in the opening story of how the author took part in an academic competition in Tennessee as a teenager。 Her Jewishness was questioned because of her blond hair and blue eyes when one of the other girls said I “thought Hitler said you all were dark。” The author recognizes decades later that those girls were not stupid and probably not bigoted, but rather that their total knowledge of the Jewish people and their history was rooted in school lessons based on what Hitler said about them。People Love Dead Jews focuses heavily on the arts, including the restoration of Jewish historical sites, the development of Holocaust museum exhibits and portrayals of Jews in film and literature。 Having lived in China and toured the reconstructed and redeveloping Jewish areas of Shanghai, I could relate well to the chapter on the reconstruction of Jewish sites in Harbin。 The author takes a sad, cynical look at the lack of true historic preservation (frankly not uncommon across all types of sites in China) and how this area was developed in hopes of boosting tourism and potential Israeli investment。 What good does it do if it doesn’t explain why there aren’t any Jews there now? Or why they were there in the first place? Or how they were fleeced and murdered? Or when the exhibits display fake objects?Renovated Jewish heritage sites are springing up everywhere, but avoid “all those pesky moral concerns – about, say, why these “sites” exist to begin with evaporate in a mist of goodwill。” In many parts of the world, you can no longer travel to meet Jewish people, you can only visit their graves。 Many Americans are completely unaware that Jewish families have lived in areas such as North Africa, the Middle East or Asia。 Another blood pressure raising example is when the famous Anne Frank House dragged their feet on allowing a Jewish employee to wear his yarmulke to work。 As Horn says, “I had mistaken the enormous public interest in past Jewish suffering for a sign of respect for living Jews。 I was very wrong。” I found her brief comments on what she considered to be the sources of modern anti-Semitism to be very interesting and wish she had written more on this subject。 For example, when I was young, the 1997 film Life is Beautiful was quite popular, but it wasn’t at all uncommon to hear derogatory comments about someone being, looking or acting Jewish (even if they weren’t Jewish) from what seemed like the most unlikely sources。 Would they be ‘called out’ nowadays or is making comments about groups such as Jews or Roma somehow acceptable even amongst progressive groups because one can slip these comments through by saying they’re a culture, rather than a race?There were two things that took me by surprise in this book。The first was the collective memory myth American Jews have created about changing their surnames when pursuing education or employment。 Evidently many families didn’t even want to admit to themselves discrimination was an issue in the new world, and so created stories that their names were changed quickly by some silly bureaucrat at Ellis Island。 Bravely contradicting this popular narrative, the author shows thousands of court cases where Jewish people were legally changing their names to avoid discrimination。 Of course, they didn’t want to tell their children and grandchildren they had changed it out of necessity rather than accident。In a world where “Anti-Semitism” has a high bar of being the Holocaust, lower levels of persecution or intolerance slide by, and especially when that bigotry is quietly visible where “Jews themselves are choosing to reject their own traditions。 It is a form of weaponized shame。” There’s genocide and there’s also the slow dismantling of Jewish civilisation。 Jews hiding their identity and changing their names is a story that goes all the way back to Esther and Purim。 In these name changes, we “witness ordinary American Jews in the debasing act of succumbing to discrimination instead of fighting it。” Of course, Horn recognises that sometimes you have to prioritise feeding your family over fighting discrimination。This section keenly observes how American Jews might have completely different experiences and struggles based on their personal history, place of residence or their class。 Similarly, in another section, the violence against American Jews is justified by the local community and media because they were ‘gentrifying’ the area, even when the victims were living in poverty and had moved to that area to avoid the soaring prices of where they had come from。 It seems only recently that mainstream English language books and online articles are catching up to the fact that Americans of Jewish background are a diverse group and aren’t necessarily Ashkenazi, well off and living in certain zip codes。The second surprise was how Yiddish and Hebrew literature differs from English literature in how they portray Jewish suffering。 The Hollywood films and “uplifting” books which use concentration camps as a back-story have reduced victims to mere metaphors。 Many English language books want a Holocaust story to have a redemptive ending where a protagonist learns something。 Better yet, non-Jewish rescuers should be involved to save some “hapless Jews。” The Jews who should be saved should be very relatable, not terribly religious and certainly not speak Yiddish。 The Jewish suffering must serve some larger purpose and provide closure for the reader。 This demand requires real dead Jews to “teach us about the beauty of the world and the wonders of redemption- otherwise, what was the point of killing them in the first place?” Of course, we know that the vast majority of real victims had their possessions seized and their families and love turned to ash。 For those who survived, there was little welcome or support for them in their home countries after the war。 In Yiddish literature, “the language of the culture that was successfully destroyed, one doesn’t find many musings on the kindness of strangers。” In this essay and others, the author helpfully shares her recommended Jewish literature, often available in translation, so your ‘to-read’ list will certainly grow after reading this book。The profile of American journalist Varian Fry, who rescued hundreds of artists, musicians, scientists and other intellectuals was a real page turner。 Again, this book challenges our assumptions about what sort of person can be a brave rescuer and how victims to should act and respond。 Here the author uses her incisive talent for puncturing the ‘feel good’ nature of these stories。 Yes, it was wonderful that Fry did all he could despite his lack of resources, crumbling marriage and his own troubled mental health。 He complained, “No, we should be able to save them all。 Why just the world’s greatest painter?” Fry painfully understood that the U。S。 government was only willing to save certain useful Jews, and that they determined what culture was worth preservation。 Certain sub-cultures of Jewish arts and learning were wiped out forever, because they were determined by outsiders to be not worth the effort of saving。 This cultural loss is again reflected in the chapter on Diarna, which uses new technologies such as 3-D modelling, satellite images, photography, and other methods to allow users to virtually visit disappearing or recently destroyed Jewish heritage sites。Another heartbreaking theme of this book is the recent deadly attacks on Jewish places of education and worship within the United States。 When it comes to mass shootings at Jewish spaces, the author carefully reviews how the media coverage excuses these attacks, which contradicts the common belief that ‘Jews control the media。’ If Jews controlled all the media, attacks on Jewish children in the United States would not be excused by poorly researched articles providing “context” about why the victims deserved it。 In one powerful paragraph, she describes how incredibly detailed holocaust museum exhibits mask lower level attacks on Jews that might not be “systemic” enough for the American public。 Arson, assaults, shootings? Not the holocaust。 “Doxxing Jewish journalists is definitely not the Holocaust。 Harassing Jewish college students is also not the Holocaust…It is quite amazing how many things are not the Holocaust。” Are we educating people about bigotry or are we giving them ideas?People Love Dead Jews covers a number of heavy topics which will shatter preconceived notions and have you rethink the media you consume。 Despite the themes outlined above, this book is often darkly funny and relatable。 Well, relatable if you’ve experienced any sort of anti-Semitism or read a best selling concentration camp romance novel。 The author’s voice comes through as if this was a close friend relating how these representations affect her and her loved ones。 You feel the frustration over the hypocrisy, the fake concern and the commodification of Jewish suffering。 。。。more